How Diane Keaton carved out a new kind of style icon in Annie Hall
Annie Hall (Diane Keaton) has just met Alvy Singer (Woody Allen) for a double match at a tennis club in…
Recent Posts
Screengem: The Plaster People in After Hours (Martin Scorsese, 1985)
At the root of Martin Scorsese’s After Hours (1985) is a telling paradox: though the film chronicles a nightmarish, serpentine…
Lost Classic: Man Push Cart (Rahim Bahrani, 2005)
Few images more powerfully evoke the stark reality of 21st Century city survival than the Sisyphean struggle of Pakistani immigrant…
Brand X: The Sport of Rollerball (Norman Jewison, 1975)
2018 World Championship final commentary. Houston Vs. New York And as you join us at Madison Square Garden here in…
Brand X: Gullfire from Escape from New York (John Carpenter, 1981)
Future flight – The Gullfire from Escape from New York (John Carpenter, 1981) “You flew the Gullfire over Leningrad. You…
Widescreen: David Schwartz, Chief Curator of New York’s Museum of Moving Image
Following on from our ‘Widescreen’ feature on New York’s Museum of Moving Image in issue 14, we spoke to Chief…
On Location: Hell Gate Bridge, New York as seen in Serpico (Dir.Sidney Lumet, 1973)
Continuing our tie-in series of articles to celebrate the launch of the World Film Locations book series in July –…
