The Big Picture Magazine
A kitchen is one of the three settings in Masahiro Kobayashi’s Japan’s Tragedy (Nihon no higeki, 2012), and the table is the most prominent piece of furniture in this small room. An open sliding door offering a view into a small hallway and the adjacent bedroom creates some depth in the film’s opening eleven-minute scene, […]
Nobuhiko Obayashi’s House (Hausu, Japan, 1977) is a coming-of-age film that mixes horror and fantasy elements with humour and an undisguised penchant for the experimental. The title itself is programmatic – seven schoolgirls find themselves trapped in a haunted house. Shocked by the unexpected news that her widowed father has remarried while on a business […]
No Longer Human (Ningen shikkaku, 2019) has the same title as a famous novel by the Japanese writer Osamu Dazai (1904-1948). Several adaptations of this novel first published in 1948 have been produced for both the big and the small screen. However, despite its title, Mika Ninagawa’s film is not another adaptation of the novel […]
The Fossil (Kaseki, 1975), based on a novel by Yasushi Inoue, is about the elderly businessman Itsuki (Shin Saburi), who is diagnosed with cancer while on a trip to Europe. The film was initially a television miniseries consisting of eight one-hour episodes because for Kobayashi and for many other directors, including Akira Kurosawa, the decline […]
In 1971, Clint Eastwood starred in three films, one of them being his directorial debut Play Misty for Me. The films in which he had previously starred were westerns or action films except for his role in a segment directed by Vittorio de Sica for the anthology film The Witches (Le Streghe, 1967). In Play […]
In Akira Kurosawa’s Scandal (Sukyandaru, aka Shubun, 1950), the aspiring painter Ichiro Aoye (Toshiro Mifune) and the famous opera singer Miyako Saijo (Yoshiko Yamaguchi) become victims of the gutter press, with a magazine claiming that the two young people are lovers. A surreptitiously taken photo showing them together at an inn in the countryside is […]
Wes Anderson’s Fantastic Mr. Fox (2009) revolves around Mr. Fox (George Clooney), a cunning, somewhat egotistical bird thief. The film is a dry, witty comedy suitable for both children and adults; however, it’s greatest interest is the portrayal of a morally gray character. Anderson sets up expectations for Mr. Fox’s character in the opening scene, […]
In Koji Fukada’s Harmonium (Fuchi ni tatsu, Japan, 2016), deception is a theme but also a narrative strategy involving both the characters and the viewers. This slow-paced film revolves around a family living in a suburb in Japan – the father Toshio (Kanji Furutachi), the mother Akie (Mariko Tsutsui) and their daughter Hotaru (Momone Shinokawa). […]
Seijun Suzuki’s Yumeji (Japan, 1991) is the concluding part of his “Taisho Trilogy”, the two other films being Zigeunerweisen (Tsigoineruwaizen, 1980) and Kagero-za (1981). All three are set in the Taisho era (1912-1926), a period in Japanese history marked by attempts to achieve more democracy – both political and cultural. The protagonists in Zigeunerweisen are […]
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