Shinya Tsukamoto’s Tetsuo: The Iron Man (Tetsuo, 1989) presents a filmic universe haunted by visions of flesh and metal in which the protagonist is transformed into a hybrid of man and machine. Along with Shozin Fukui and Sogo Ishii, Tsukamoto is considered one of the main representatives of Japanese cyberpunk, and Tetsuo: The Iron Man […]
![](http://thebigpicturemagazine.com/wp-content/uploads/2024/02/iron3.jpg)