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One Sheet – The Big Picture Magazine

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One Sheet: “I think people are afraid to be creative.” In conversation with poster designer Dylan Haley

Fashion and film expert Ada speaks to Dylan Haley, a Californian artist and graphic designer now based in New Zealand.

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One Sheet: The Lobster (Yorgos Lanthimos, 2016)

In their English-language debut The Lobster (2016), frequent collaborators Yorgos Lanthimos (director, co-writer) and Efthymis Filippou (co-writer) imagine two radically different, yet equally oppressive societies: an authoritarian government and its underground rebellion, both of which deprive their followers of true human connection. The alienation enforced by both systems is beautifully captured in Vasilis Marmatakis’ simple, […]

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One Sheet: Madigan (Don Siegel, 1968)

“I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat and a gun. I put them on and went out of the room.” – Philip Marlowe, Farewell My Lovely Coat, hat, gun. The guts of […]

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Feature One Sheet

One Sheet: Looking at Lubitsch

The films of Ernst Lubitsch have become synonymous with bright, colourful characters and situations; accordingly, this is reflected in their various posters and promotional material from the time. Most of these posters – the comedies and romances especially – look to feature Lubistch’s central couple, often in some dramatic and red-cheeked pose, backed by festive imagery. Going […]

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Feature One Sheet

One Sheet: Ozu’s Families

Family has always been the preferred subject of Yasujirô Ozu; the subtle daily dynamics of the typical Japanese home, and the small moments of drama that may be glimpsed as a fly on the wall. Or perhaps, more accurately, as a fly hovering three feet from the floor: where Ozu’s static camera was always placed, emphasising the […]

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Feature One Sheet

One Sheet: The General (Buster Keaton, Clyde Bruckman, 1926)

Buster Keaton’s 1926 masterpiece The General is one of the defining works of silent cinema, providing some of the greatest comedic moments ever committed to celluloid, while helping to forge the language of that most characteristically American genre, the Western. Fittingly, this benchmark piece of cinema has also inspired a series of surpassingly beautiful designs […]

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One Sheet: Infernal Affairs (Wai-keung Lau, 2002)

The philosophical and religious overtones of Infernal Affairs(2002) are captured beautifully in the one-sheet that accompanied the Chinese theatrical release. That the identity of the men silhouetted at the centre is obscured forms a very telling statement about the lonely and troubled characters of Chan Wing-yan (Tony Leung), an undercover cop who infiltrates a triad gang, […]

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Feature One Sheet

One Sheet: The Exorcist (William Friedkin, 1973)

The lonely silhouette of Father Merrin (Max Von Sydow), dwarfed by a beam of light projecting from the upstairs bedroom of the MacNeil home, is an iconic image that has become an integral part of The Exorcist’s identity as a consumer product. Tirelessly reproduced in the film’s subsequent re-releases on DVD and Blu-Ray, and featuring […]

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Feature One Sheet

One Sheet: Moon (Duncan Jones, 2009)

Through the years, science fiction posters and subtlety have not been the best of pairings. Forbidden Planet gave us one of many over-saturated and melodramatic visual spectacles: the eye-catching (if absent from the film) scene of Robbie the Robot kidnapping a scantily-clad woman, and the word ‘AMAZING!’ stamped on top. Star Wars started a trend […]

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