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The Big Picture Magazine

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Categories
Feature Four Frames

A Modern Nightmare – Shinya Tsukamoto’s Tetsuo: The Iron Man

Shinya Tsukamoto’s Tetsuo: The Iron Man (Tetsuo, 1989) presents a filmic universe haunted by visions of flesh and metal in which the protagonist is transformed into a hybrid of man and machine. Along with Shozin Fukui and Sogo Ishii, Tsukamoto is considered one of the main representatives of Japanese cyberpunk, and Tetsuo: The Iron Man […]

Categories
Feature Lost Classic

Lost Classic: Our Father, the Devil (Ellie Foumbi, 2021)

“We all have a past, but it doesn’t define us” one character says in Ellie Foumbi’s Our Father the Devil (2021). The film holds this assertion under close scrutiny. The story focuses on Marie, played by Babetida Sadjo, a Guinean immigrant living and working in rural France at a sleepy retirement home. She maintains a […]

Categories
Feature News Reviews

The Best Films of 2023

Anatomy of a Fall (Dir. Justine Triet)This fitting and worthy Palme d’Or winner, with lead player Sandra Huller surely destined to pick up more awards, is something of a miracle, raw and real yet magnificently melodramatic in its courtroom twists and turns (writer-director Triet studied some classics, Anatomy of a Murder and Compulsion, both 1959, […]

Categories
Feature Four Frames

A haunting wintry coldness: Kichitaro Negishi’s What the Snow Brings

A taxi driving towards the camera through mist and snow on a wide road – this lengthy first shot sets the tone for Kichitaro Negishi’s What the Snow Brings (Yuki ni negau koto, 2005). A cut reveals a young man in the back seat of the car. Wearing a trench coat, suit and tie, clearly […]

Categories
Fashion & Film Feature

Fashion & Film: Jacques Demy in Black & White

Before using colours “like a singing Matisse” in The Umbrellas of Cherbourg, Jacques Demy made the most lyrical use of black and white in his first two films, Lola and Bay of Angels. Before singing heroines bursting on screen on a background of glorious colours and stylised sets (the citizens of Cherbourg allowed Demy to […]

Categories
Feature Four Frames

Portrait of a broken family: Masahiro Kobayashi’s Japan’s Tragedy

A kitchen is one of the three settings in Masahiro Kobayashi’s Japan’s Tragedy (Nihon no higeki, 2012), and the table is the most prominent piece of furniture in this small room. An open sliding door offering a view into a small hallway and the adjacent bedroom creates some depth in the film’s opening eleven-minute scene, […]

Categories
Fashion & Film Feature

Fashion & Film: Babette’s Feast (1987)

One of the most acclaimed films in Cannes this year, Trang Anh Hung’s La passion de Dodin Bouffant, which also won the award for best director, is not just a story about “The Napoleon of the culinary arts”, Dodin Bouffant (Benoît Magimel), and his beloved cook Eugénie (Juliette Binoche), but one that distinguishes itself visually […]

Categories
Feature Screengem

Screengem: The yellow barrels in Jaws (1975)

David Mamet, the great American man of letters, once said: “The genius of Jaws is the ability to terrify us with a shot of empty ocean.” When those yellow barrels pop up, it only adds to the terror, ratchets it up, taking us beyond “simple” storytelling towards multi-faceted layers of myth and mystery, beyond: “What lies beneath?” […]

Categories
Feature Four Frames

Transgressing genre conventions: Nobuhiko Obayashi’s House

Nobuhiko Obayashi’s House (Hausu, Japan, 1977) is a coming-of-age film that mixes horror and fantasy elements with humour and an undisguised penchant for the experimental. The title itself is programmatic – seven schoolgirls find themselves trapped in a haunted house. Shocked by the unexpected news that her widowed father has remarried while on a business […]

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