The Big Picture Magazine
She rips the sleeve off of a denim shirt and makes herself two bandanas to wear around her neck. She’s dressed in washed-up blue jeans, white cowboy boots and white tank top. She then sits next to an old man with a beat-up white cowboy hat on. She takes off all her jewellery, her earrings, […]
Many of us will no doubt recall the times we spent as a kid sat in the back of a hot car watching our parents squabble over directions on the way to a summer holiday. We can therefore recognise, at least in part, the pain and suffering endured by the Griswolds in the name of […]
The great French director Francois Truffaut won an Academy Award for Day For Night (1972), a behind the scenes look at the making of a movie. Its romanticised view of filmmaking may have led the public to wonder – how difficult can it be to direct a movie? It sounds like fun. You will make […]
At the root of Martin Scorsese’s After Hours (1985) is a telling paradox: though the film chronicles a nightmarish, serpentine journey through New York’s Soho neighbourhood, it is ultimately a story of entrapment. The protagonist’s sense of being stuck in a life of routine is symbolised through a recurring, startling prop: plaster sculptures of humans […]
Rancher Pete Perkins (Tommy Lee Jones) kidnaps Mike Norton (Barry Pepper), a young officer of the U.S. Border Patrol, who accidentally shot Perkins’ Mexican friend Melquiades Estrada (Julio Cedillo) and quickly buried the body without reporting the death. The body was discovered, identified and reburied in a cemetery, but the local sheriff did not investigate […]
