Past Evils Return in Martin Scorsese’s Cape Fear
This quarantine provided the time to finally view Martin Scorsese’s remake of Cape Fear (1991), originally shot by director J….
Recent Posts
The Armani Aesthetic and Film Costume Appropriation: Sam Shepard in Voyager
Giorgio Armani’s menswear, and womenswear, aesthetic defined and ruled an era, giving birth to a new form of democracy, a…
Self-Isolation Soundtrack: The Music of If Beale Street Could Talk
So much of Barry Jenkins’ James Baldwin adaptation If Beale Street Could Talk (2018) looks and feels like Love. All its wonder…
Four Frames: The Irishman (Martin Scorsese, 2019)
MATTHEW 25, 6: And at midnight there was a cry made, Behold, the bridegroom cometh; go ye out to meet him….
Screengem: The Plaster People in After Hours (Martin Scorsese, 1985)
At the root of Martin Scorsese’s After Hours (1985) is a telling paradox: though the film chronicles a nightmarish, serpentine…
Screengem: The Laughing Wallpaper in Scorsese’s The King of Comedy
Taxi Driver’s portrait of ’70s downtown New York, complete with neon signs and porno theatres flashing through the night, is…
Thousand Words: We merely get in their way: The fierce chemistry of Herzog and Kinski
When film conversation turns to the greatest filmmaker/actor partnerships common touchstones are Scorsese and De Niro (latterly DiCaprio), Ford and…
Wallpaper Wednesday | Taxi Driver
Here at The Big Picture we’re all about the joy and power of the cinematic image. What better way then…
