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Screengem: The Plaster People in After Hours (Martin Scorsese, 1985)

At the root of Martin Scorsese’s After Hours (1985) is a telling paradox: though the film chronicles a nightmarish, serpentine journey through New York’s Soho neighbourhood, it is ultimately a story of entrapment. The protagonist’s sense of being stuck in a life of routine is symbolised through a recurring, startling prop: plaster sculptures of humans […]