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Features Reviews Widescreen

Do the Right Thing’s Outspoken Commentary on Racism

Do the Right Thing (1989), a provocative piece set in 1980s Brooklyn, is an audacious directorial dive into the underlying forces of racial tensions. Bound to stimulate generations of heated discussions, Spike Lee’s film retains its resonance even decades after the film first appeared on screen. It is a film that screams and roars, startling and […]

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Features Four Frames

Satire as social criticism: Nagisa Oshima’s Three Resurrected Drunkards

Three Resurrected Drunkards (Kaette kita yopparai, 1968) starts with a long sequence showing three young men enjoying themselves on a deserted sandy beach one sunny day. Their haircuts and clothes indicate that they belong to the beat generation, and their beige jackets are reminiscent of those worn by The Beatles for their concert at Shea […]

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Features Four Frames Lost Classics

Toshiro Mifune in Mexico: Ismael Rodriguez’s Ánimas Trujano

Ánimas Trujano (Mexico, 1962) starts as a documentary film with images of a festival which the villagers in the Mexican State of Oaxaca are celebrating in honour of their patron saint. A voice-over narrator explains the role of the mayordomo, a respected member of the community who is elected to organize the various religious and […]

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Features Thousand Words

Thousand Words: Young, White and Aggressive (Made in Britain, 1983)

A young man, head shaved, the tattoo of a swastika on his forehead, stands up abruptly and moves towards the camera as if smashing into the viewer’s face. This opening shot announces the high tension which characterises Alan Clarke’s Made in Britain, a production for Central Television. The actor’s aggressive body language is sustained by […]