Tag: Orson Welles

Four Frames: The Lady Eve (Preston Sturges, 1941)

Post author By Callum Reid
Post date January 14, 2021
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Shakespeare told us love is blind, although there are those who insist he stole it from Chaucer. It is Preston Sturges who reminds us of the truism in The Lady Eve (1941), a screwball constructed like a clever card trick that always comes up aces. That’s “screwball” as in “farcical romantic comedy” – Shakespeare also has […]

Tags Barbara Stanwyck, Citizen Kane, Hail the Conquering Hero, henry fonda, How Green Was My Valley, John Ford, O Brother Where Art Thou, Orson Welles, Preston Sturges, screwball comedy, Sullivan's Travels, The Coen Brothers, The Great McGinty, The Lady Eve

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Revisiting Orson Welles’ searingly relevant portrait of US-Mexican relations

Post author By Charlie Bennett
Post date July 29, 2018
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Orson Welles was never one to adhere to audience expectations, and when a contract deal forced him to adapt the pulpy novel Badge of Evil, the result was a delirious, baroque noir which had very little to do with the source material, but was all the better for it. To watch this study of racial […]

Tags Charlton Heston, Crime noir, Janet Leigh, Orson Welles, Touch of Evil

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Four Frames – My Own Private Idaho (Gus Van Sant, 1991)

Post author By Mark Fletcher
Post date April 18, 2016
No Comments on Four Frames – My Own Private Idaho (Gus Van Sant, 1991)

The Bard and Keanu Reeves didn’t exactly hit it off when one half of Bill and Ted got himself Golden Raspberry-nominated for his grisly turn in Kenneth Branagh’s Much Ado about Nothing (1993). Two years earlier, however, Reeves enjoyed far more success channelling the spirit of Shakespeare’s Prince Hal when he appeared opposite River Phoenix […]

Tags Chimes At Midnight, Gus Van Sant, Keanu Reeves, My Own Private Idaho, Orson Welles, River Phoenix, Shakespeare

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Art & Film: Nautilus Art Prints – Interview with Jack Durieux

Post author By Gabriel Solomons
Post date May 21, 2015
1 Comment on Art & Film: Nautilus Art Prints – Interview with Jack Durieux

’20,000 Leagues Under the Sea’ detail by Jonathan Burton Set up in 2014, Nautilus Art Prints is a small but dedicated operation that releases carefully screen printed, limited edition posters, which aim to re-interpret great moments of European popular culture. Drawing on a rich tradition of craft and creativity, NAP – based in Brussels and […]

Tags Art & Film, Film posters, François Truffaut, Jacques Tati, Jules Dernier, Jules et Jim, Laurent Durieux, Les 400 Coups, Mon Oncle, Nautilus Art Prints, Orson Welles, The First Men in the Moon, The Third Man

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Fatal Attraction Part 1: Classic Hollywood noir villainesses

Post author By Emma Simmonds
Post date June 26, 2010
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In the first of a two-part piece Emma Simmonds examines four prototype noir villainesses from classic Hollywood cinema. Next week, she looks at the far-reaching legacy of these scintillating spider women by considering French cinema’s most memorable femme fatales. The Hollywood noirs of the 40s left an indelible impression on cinema. Their depictions of powerful, […]

Tags Billy Wilder, Build My Gallows High, Double Indemnity, Ellen Berent Harland, Elsa Bannister, Jacques Tourneur, John M. Stahl, Kathie Moffett, Leave Her to Heaven, Orson Welles, Phyllis Dietrichson, The Lady from Shanghai

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