Four Frames: The Lady Eve (Preston Sturges, 1941)
Shakespeare told us love is blind, although there are those who insist he stole it from Chaucer. It is Preston…
Recent Posts
Revisiting Orson Welles’ searingly relevant portrait of US-Mexican relations
Orson Welles was never one to adhere to audience expectations, and when a contract deal forced him to adapt the…
Four Frames – My Own Private Idaho (Gus Van Sant, 1991)
The Bard and Keanu Reeves didn’t exactly hit it off when one half of Bill and Ted got himself Golden…
Art & Film: Nautilus Art Prints – Interview with Jack Durieux
’20,000 Leagues Under the Sea’ detail by Jonathan Burton Set up in 2014, Nautilus Art Prints is a small but…
Fatal Attraction Part 1: Classic Hollywood noir villainesses
In the first of a two-part piece Emma Simmonds examines four prototype noir villainesses from classic Hollywood cinema. Next week,…
