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Recent Posts

Features, Thousand Words

Revisiting Orson Welles’ searingly relevant portrait of US-Mexican relations

Orson Welles was never one to adhere to audience expectations, and when a contract deal forced him to adapt the…

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July 29, 2018   |   No Comment
Features, Four Frames

Four Frames: Hidden (Michael Haneke, 2005)

Hidden begins with an immobile long shot of a domestic Paris street. Only the occasional passers-by and cyclists remind us…

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November 15, 2016   |   No Comment
Features, Four Frames

Four Frames: Pickpocket (Robert Bresson, 1959)

Few directors are as interested in the interiority of their characters as Robert Bresson. His ascetic style strips films of…

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August 24, 2015   |   No Comment
Features, Four Frames

Four Frames: Network (Sidney Lumet, 1976)

The Union Broadcasting System took a risk when they let a visibly unwell Howard Beale on air. With his frantic…

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May 29, 2015   |   No Comment
Features, Lost Classic, Reviews

Lost Classic: Happy Together (Wong Kar-wai, 1997)

The weight of memory has long been portrayed as an onerous facet of life, and in Wong Kar-wai’s 1997 film…

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March 31, 2015   |   No Comment
Features, Lost Classic, Reviews

Lost Classic: Dangerous Game (Abel Ferrara, 1993)

Have there ever been two artists more different from each other than director Abel Ferrara and singer Madonna Louise Ciccone…

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February 8, 2015   |   No Comment
Features, Thousand Words

Parting Shots: Breathless (Jean-Luc Godard, 1960)

It’s one of the most memorable scenes in cinema. As Michel Poiccard swaggers down the Champs-Élysées, he spots a picture…

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January 31, 2015   |   1 Comment

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Related Posts

Lost Classic: Hearts of Darkness (Bahr, Hickenlooper & Coppola, 1991)

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Brilliant Failure: Toys (Dir. Barry Levinson, 1992)

March 10, 2011No comment

Widescreen: The Blue Walnut Café and Cinema, Torquay

October 10, 2010No comment

Fighting Social Ills: Akira Kurosawa’s Red Beard

January 15, 2020No comment

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