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Four Frames: Pickpocket (Robert Bresson, 1959)

Few directors are as interested in the interiority of their characters as Robert Bresson. His ascetic style strips films of their furnishings, leaving behind a bareness of images and sounds, to be seen and heard with intensified awareness, as if we stand in the protagonist’s shoes during his most private moments. Pickpocket is one of Bresson’s […]