The Big Picture Magazine
Following the young yakuza Kohji (Yusuke Iseya) from Japan to Canada, the action of François Rotger’s The Passenger (2005) takes place on two continents. Kohji, who has fallen out of favour with his mentor Naoki Sando (Yosuke Natsuki) because the latter surprised him in bed with his daughter Hiroko (Kumi Kaneko), is given a chance […]
In 1971, three films with Clint Eastwood were released within eight months: the actor’s directorial début Play Misty for Me and two films directed by Don Siegel – The Beguiled and Dirty Harry. The last confirmed Eastwood’s screen persona as the violent loner and law enforcer whereas the two other films challenged it as Siegel’s […]
The psychosexual thriller has survived many iterations, from the highbrow (Eyes Wide Shut, 1999), to the gloriously over-the-top (Dressed to Kill, 1980), to the painfully dated (Jade, 1995). Scott J. Ramsey’s X (2019) is something of a Frankenstein’s monster, borrowing a bit from Kubrick’s final masterpiece (masked orgies, recurring mirror imagery) and a lot from […]
In Sion Sono’s Love Exposure (Ai no mukidashi, 2008), 17-year-old Yu (Takahiro Nishijima) struggles with his sexual awakening. Sono turns the basic “boy meets girl” plot into a narratively and aesthetically rich film in which Yu encounters violence and madness but also discovers love and responsibility. Sono’s four-hour film explores what it means to be young. […]
In the first sequence of Kutlug Ataman’s Lola and Bilidikid (Lola und Bilidikid, Germany, 1999), a young man is walking in a park at night. Murat (Baki Davrak) – an expression of anxiety on his face, his body tense – has ventured into the darkness. The park is the huge Tiergarten in the middle of […]
In Happiness (1998), the ever-smiling Trish (Cynthia Stevenson), in her neat kitchen, is strongly reminiscent of the female ideal as propagated in American films and commercials of the 1950s and 1960s. However, her affected demeanour und put-on optimism cannot hide the illusion behind the image of the idyllic home that is associated with the American […]
In one of the first sequences of Kinji Fukasaku’s Battle Royale (Batoru rowaiaru, 2000), a group of boisterous pupils on a bus trip to the countryside arrive at a tunnel entrance: an appropriate place to anticipate the horror which awaits them when they emerge from the darkness at the other end. Stunned by gas, they […]
Odd Obsession is a film about ageing, manipulation and sexual games.
The weight of memory has long been portrayed as an onerous facet of life, and in Wong Kar-wai’s 1997 film Happy Together, it’s as heavy as a ball and chain. “Lai Yiu-Fai, we could start over,” is the first line we hear, but Yiu-Fai has heard his boyfriend Po-Wing say it numerous times before. Their […]
