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Four Frames: Hidden (Michael Haneke, 2005)

Hidden begins with an immobile long shot of a domestic Paris street. Only the occasional passers-by and cyclists remind us it is not a photograph. “Well?” we hear a voice say. “Nothing,” replies another. The sequence literally fast-forwards, pauses as Georges Laurent (Daniel Auteuil) leaves his home, rewinds and pauses again. We realise that the […]