The Big Picture Magazine
They are men who are staring down death as they are flying dangerous missions over treacherous mountain terrain, come rain, shine or fog. The short landing strips are no less hazardous. They have poor navigational equipment and makeshift planes, but they are hard-shelled and have an unconquerable spirit. It’s an electrifying, fast-paced, past-the-edge-of-yourself world, one […]
When Mitch Brenner (Rod Taylor) first meets Melanie Daniels (Tippi Hedren) in the bird shop in San Francisco, his look is impeccably executed. In his charcoal grey suit – fit cut, slim tie and white shirt – he is an urban careerist in San Francisco (a defense lawyer), equally brash and charming, arrogant and worldly. […]
A bleak, dark detective story that taps into noir, Claude Sautet’s Max et les ferrailleurs (1971) is more than a “policier” film. It draws two fine character studies: Michel Piccoli’s Max, a former judge converted into a cop, and Romy Schneider’s Lily, a prostitute linked to a gang of hard-luck, two-time crooks whom Max wants […]
Catherine Deneuve (Marion Vergano) in La sirène du Mississippi, 1969 François Truffaut attributed part of the failure of La Sirène du Mississippi (the film was poorly received) to the difficulty he had persuading the public to accept an actor like Jean Paul Belmondo in the role of a defeated, desperate man: “It’s not hard to […]
Cinema is a woman’s art, François Truffaut used to say, and the great moments in cinema involve “the convergence of the gifts of a director and those of an actress who is being directed by him.” In his films, it’s his feminine characters who are more dynamic, more enterprising, it’s them who direct events. It’s […]
What drew me to Howard Hawks’ safari film, Hatari!, in the first place was something I had read about one of the female characters, Dallas (Elsa Martinelli), having been inspired by real life wild life photographer Ylla, considered “the best animal photographer in the world”, who was killed while on the job in North India in […]
’20,000 Leagues Under the Sea’ detail by Jonathan Burton Set up in 2014, Nautilus Art Prints is a small but dedicated operation that releases carefully screen printed, limited edition posters, which aim to re-interpret great moments of European popular culture. Drawing on a rich tradition of craft and creativity, NAP – based in Brussels and […]
In the concluding part of a two-part piece on cinema’s wicked, wanton women, Emma Simmonds shifts the focus to four significant French contributions to the character type. Despite Hollywood’s popularisation of the enchantress paradigm as a staple of its fabulous noirs, these slinky villainesses are still most commonly described by the French expression femme fatale. […]
