The Big Picture Magazine
Is Katharine Hepburn playing herself in Bringing Up Baby (1938)? And if so, why not? Katharine Hepburn turned Hollywood on its head. She fearlessly and uncompromisingly set out to become a star in an industry that wanted greatness on its own terms, an industry that often tried to destroy the original few. She wanted greatness […]
They are men who are staring down death as they are flying dangerous missions over treacherous mountain terrain, come rain, shine or fog. The short landing strips are no less hazardous. They have poor navigational equipment and makeshift planes, but they are hard-shelled and have an unconquerable spirit. It’s an electrifying, fast-paced, past-the-edge-of-yourself world, one […]
Old pals John Wayne (as Sheriff John T. Chance) and Ward Bond (as Pat Wheeler, soon to be murdered, shot in the back) have a conversation that says much about the good guys’ dilemma in Howard Hawks’ classic Western Rio Bravo (1959). Wheeler: A game-legged old man and a drunk. That’s all you got? Chance: That’s […]
Henry Fonda gone bad, one of cinema’s most memorable endings with two of the greatest outlaws on screen fading into a photographic memory, and Montgomery Clift bringing in a new type of manly ideal and rivaling the man who was no less than the epitome of American manhood. These are the anti-heroes from three of […]
What drew me to Howard Hawks’ safari film, Hatari!, in the first place was something I had read about one of the female characters, Dallas (Elsa Martinelli), having been inspired by real life wild life photographer Ylla, considered “the best animal photographer in the world”, who was killed while on the job in North India in […]
