Liminal spaces as sites of transformation in Andrea Arnold’s Fish Tank
The tall fence encloses the camp on all sides. Its metal uprights are spiked at the top. The railway cuts…
Recent Posts
A dive into the twisted psychology of Dogtooth
According to psychoanalyst Jacques Lacan, our personalities are formed through our relationship to language as we encounter things, and seek…
How the decadence of Russian Ark excludes working class voices
The festive period seems a pertinent moment to explore representations of decadence in film.
Lost Classics: discover the sparse realism of this dystopian road movie
We follow the Rover through hostility and violence on his journey through the Outback.
On Location: Fury 161 in Alien 3 (David Fincher, 1992)
The setting for Alien 3 is a dank world devoid of sunlight and common sense. David Fincher’s first feature film…
