
Four Frames: Tetsuo’s transformation in Akira (Katsuhiro Otomo, 1988)
A cautionary metaphor for the dangers of unchecked power, or just a slice of Japanimation at its most ass-kickingly spectacular?…
A cautionary metaphor for the dangers of unchecked power, or just a slice of Japanimation at its most ass-kickingly spectacular?…
The ending of John Mackenzie’s seminal British gangster film is regarded by many, this author included, to be a work…