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Four Frames: Harold’s long goodbye in The Long Good Friday (John Mackenzie, 1980)

The ending of John Mackenzie’s seminal British gangster film is regarded by many, this author included, to be a work of art, befitting the superb fall-from-grace story of London crimelord Harold Shand (Bob Hoskins). Having just abruptly ended a business deal with the New York mafia, “The mafia? I’ve shit ’em!” Harold storms into his […]