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Feature Screengem

Screengem: The Wicker Man

Of all the bizarre and unsettling sights that Edward Woodward’s Sergeant Howie encounters during his time on Summerisle – open air orgies, a mother breastfeeding in a cemetery, the Hand of Glory, phallic topiary and outlandish animal costumes – nothing prepares him for the monstrous beauty of The Wicker Man. The deeply conservative and devoutly […]

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Feature

Fatal Attraction Part 2: The French Connection

In the concluding part of a two-part piece on cinema’s wicked, wanton women, Emma Simmonds shifts the focus to four significant French contributions to the character type. Despite Hollywood’s popularisation of the enchantress paradigm as a staple of its fabulous noirs, these slinky villainesses are still most commonly described by the French expression femme fatale. […]

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Feature Music & Film

The Score: Rambo: First Blood Part II (Composer: Jerry Goldsmith, 1985)

If ever a film made guys want to run around topless with a gun and a bandanna, Rambo:First Blood Part II was it – and Jerry Goldsmith’s ridiculously macho CD cover (not to mention the music!) confirms the suspicion. Sly Stallone’s second outing as John ‘get an extra supply of body bags’ Rambo was a […]

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Feature Screengem

Screengem: Charlie’s Golden Ticket

  It’s not coincidental that the brilliant golden ticket needed to board the Polar Express is almost identical to the brilliant golden ticket needed to get inside Willy Wonka’s ‘non-pollutionary, anti-institutionary, pro-confectionery factory of fun’. In the 23 years between Mel Stuart’s Willy Wonka and the Chocolate Factory and Robert Zemeckis’s The Polar Express, the […]

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Feature Screengem

Screengem: Indiana Jones’s Hat

Indiana Jones is essentially a superhero: usually the bowtied and bespectacled Prof. Henry Jones Jr., he has only to climb into his chosen costume to become Indiana Jones, whip-wielding discoverer of the Holy Grail and insouciant scourge of the Nazis. And, while his revolver is ever-ready, his whip indispensible and his jacket unmistakable, only his […]

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Feature Music & Film

The Score: Psycho (Composer: Bernard Herrmann, 1960)

What more needs to be said about Psycho, other than it has exercised influence over every horror-thriller post 1960. Forgoing the larger budgets of Vertigo and North by Northwest, director Alfred Hitchcock wanted to dabble in the burgeoning independent market, so he stripped back the crew, retained the members from his tv show ‘Alfred Hitchcock […]

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Feature

In Bloom: Black & White and Colour in Collaboration

Dotted throughout cinematic history are films which boldly combine black and white with colour, occasionally within the same frame. An aesthetically arresting technique – although it draws attention to the artifice and manipulations of cinema – done effectively it can be a symbolic shift which enhances our understanding of character psychology and theme. This is colour […]

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Feature Thousand Words

Popcorn and politics: the favourite movies of our glorious leaders

Moats and duck islands aside, we’ve grown used to the personal tastes of our political lords and masters ostensibly being determined for public consumption by focus groups so as to iron out any possible idiosyncratic and potentially unpopular cultural choice that they might actually make. But when it comes to film what has really had […]

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Feature Music & Film

The Score: Titus (Composer: Elliot Goldenthal, 1999)

  In the first of a regular web series, our resident film music aficionado Sean Wilson takes an indepth look at a carefully chosen motion picture soundtrack. Up first is the score to a truly unique cinematic experiment from 1999. Stage director Julie Taymor’s adaptation of Shakespeare’s grisly revenge tragedy Titus Andronicus is generally faithful […]

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