The Cardboard Cut Out of ‘Angelica’ from Deep End (Jerzy Skolimowski, 1970)

deppe_end

Jerzy Skolimowski’s Deep End evokes universal memories of the heady days of first love, as fifteen year old Michael (John Moulder-Brown) becomes ever more infatuated with his co-worker, the raven haired temptress Susan (Jane Asher). Erotic, atmospheric and off-kilter, Deep End washes over the viewer with a lightness of touch that belies the narrative’s dark undertones.

Obsessive love, emotional manipulation,infidelity, sexual tension and romantic disillusionment play out in Skolimowski’s unique blend of realism and fantasy, as Susan cruelly toys with Michael’s heart as the infatuated teenager slowly loses his emotional footing.

Michael’s confused and idealised feelings for Susan are beautifully illustrated when he spots, and steals, a life-size cardboard cut out on the streets of Soho. A dead ringer for Susan, Michael is told that the naked girl shown is ‘Angelica, continentalborn in Manchester‘, by the doorman of a strip club. Rendered in striking monochrome, the cardboard cut out is visually in stark contrast to the bright lights of Soho and to the movie’s bold, often symbolic, colour schemes. The cardboard cut out highlights Susan’s contradictory nature, Michael’s conflicted view of her and Deep End‘s off-beat, deftly constructed world; real yet surreal, tangible yet illusory.

vlcsnap-2012-02-13-00h16m19s37

vlcsnap-2012-02-13-00h20m36s32

vlcsnap-2012-02-13-00h21m23s253

But is Susan ‘Angelica’? Is Michael projecting his adolescent fantasy and fears onto the cut out? In keeping with Deep End‘s ambiguous air you can’t be sure, especially when Susan teasingly agrees that it does look like her when confronted  with it on the Underground. Throwing the cardboard cut out into the swimming pool where they both work, Michael strips off and swims with Susan/Angelica. A remarkable fantasy sequence follows as the cardboard cut out morphs into the real Susan, and the fantasy is tantalizingly made flesh. Clutching a piece of the cut out in his hand, and foreshadowing the film’s unsettling climax, Michael emerges from under the water, and the fantasy is, like the cut out and Michael’s relationship with Susan, irreparably broken.

About the author

author avatar

, A writer of the screenplay, academic and critical kind living in Cornwall with his beloved dog Bailey and teaching film theory and practice at Falmouth University. On a cinematic journey sparked by Martin Scorsese's Mean Streets that has traversed a number of award-winning short films, the imminent completion of a professional doctorate in film education, the co-foundation and direction of Filmstock Film Festival (2000-2009) and a cornucopia of other filmic goodness.

Leave a Reply

(*) Required, Your email will not be published