The Big Picture is committed to giving young, emerging writers a voice in the world of film criticism. In this feature, student writers from around the world share their insights on contemporary film and new releases.
In a new article series, writers select and discuss great director debuts to explore the possible origins of recurring themes or stylistic approaches that often help to define the uniqueness of these one-of-a-kind filmmakers.
Monsieur Klein is an art dealer living on the Left Bank in Paris, on Rue de Bac. Played by Alain Delon, with his good looks, refined clothes, stern haircut and minimal mimic, he looks at ease and undisturbed in his generous apartment, lavishly decorated in rich colours and trimmed with paintings. Dressed in a luxurious […]
I began 2016 by watching a lot of Masaki Kobayashi. It was a year that year marked both the centenary of his birth, and the 20th anniversary of his death. My aim was to deepen my knowledge of his work, and to pay homage to a filmmaker I greatly admire by writing articles in which […]
Stuart Cooper’s dream-like interweaving of stunning archival footage with the fictional narrative of the training of a new recruit, Tom Beddows (Brian Stirner), won the Silver Bear at the Berlin Film Festival in 1975, but Overlord (the codename for the D-Day landings) seemingly received little attention until Criterion recently issued it on Blu-ray. The film […]