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Thousand Words: How to be a Human Being (Ikiru, 1952)

The first shot in Akira Kurosawa’s Ikiru shows an X-ray. A voiceover reveals that this is the stomach of Watanabe, the film’s central figure, who is terminally ill with stomach cancer. An ordinary man suddenly confronted with death and the futility of his existence, he is desperately trying to find a meaning in life. Kurosawa […]