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Revisiting Gus Van Sant’s disturbing portrait of a high school shooting

Of the three films comprising Gus Van Sant’s so-called “Death Trilogy” (the others being 2002’s Gerry and 2005’s Last Days), Elephant (2003) remains the most affecting and prescient. Although a major success at Cannes, earning both the Palme d’Or and Best Director awards of that year, it is largely overlooked in comparison with the rest […]