Feature Four Frames

War as absurdity: Kihachi Okamoto’s Desperado Outpost

Desperado Outpost (Dokuritsu gurentai, Japan, 1959) starts with shots of a man on horseback in a landscape reminiscent of a Western. This hero is Japanese, and the action is set in the wide-open spaces of the Manchurian steppe in the summer of 1945 near the end of the Sino-Japanese War. Okamoto’s approach to the war […]