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Four Frames: Mulholland Drive (David Lynch, 2001)

David Lynch’s films have always existed in their own Red Room, somewhere between surreal reality and unbridled nightmare. The chorus for Roy Orbison’s In Dreams, lip synched so memorably by Dean Stockwell in Lynch’s Blue Velvet, are an even more suitable fit for the noirish themes of murderous obsession, unrequited love and broken dreams (both […]