Double Bills Features

Memory, Identity and Individual Responsibility in Rashomon and After Life

It is perhaps unusual to deal with Akira Kurosawa’s masterpiece Rashomon (Japan, 1950) and another film in such a short article. However, when I watched Hirokazu Kore-Eda’s After Life (Wandafaru raifu, Japan, 1998), I was immediately struck by the parallels between this film and Rashomon. Both deal with memory, the relativity of all things, and […]

Features Four Frames

Sacrifice and Responsibility in Akira Kurosawa’s High and Low

In Akira Kurosawa’s High and Low (Tengoku to jigoku, Japan, 1963), a bungled kidnapping leads to the protagonist’s deep crisis of conscience. Wealthy Kingo Gondo (Toshiro Mifune) has to decide whether or not to pay the ransom demanded by a kidnapper who intended to abduct Gondo’s son but has taken his chauffeur’s son by mistake. […]