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Features Four Frames Widescreen

Overstepping genre boundaries: Séance and Séance on a Wet Afternoon

Bryan Forbes’s Séance on a Wet Afternoon (UK, 1964) starts with mystery-filled images of a séance; Kiyoshi Kurosawa’s Séance (Korei, Japan, 2000, produced by Kansai Television) begins with an academic debate on parapsychological phenomena between a professor and a student. Both films are inspired by Mark McShane’s novel Séance on a Wet Afternoon (1961). Forbes’s […]