The Big Picture Magazine
In one of the best films of last year, The Lost Daughter (2021), Maggie Gyllenhaal, in her directorial debut, explores the complexities of motherhood. The film is an adaptation of Elena Ferrante’s novel by the same name and has as center character a terrific Olivia Colman as Leda, a middle-aged university professor in Cambridge, Boston, […]
What remains if people let go of their illusions, or delusions? In one of the best films of last year, Sean Durkin’s The Nest (2020), Jude Law is Rory, a high-risk investment specialist who moves back to his native England from New York with his American wife, Allison (Carrie Coon, in a wonderfully paced performance), and […]
A film is as good as the sum of its crafts, crafts that must seamlessly wove the threads that spun the illusion that is the story we watch so earnestly. That is why I find that it is fascinating to talk about a film from the point of view of each craft, such as costume […]
On a little island in the Canaries with very rocky terrain that in times past made communication very difficult in the absence of modern day technology, the locals invented a whistling language, a whistled version of Spanish, “El Silbo”, that is still being used today. That was the idea where Corneliu Porumboiu’s latest film originated. […]
I watch Alfred Hitchcock’s films time and time again. For the thrills, for the visual flair and distinct atmosphere, for the dry wit and humour, and for the sheer joy of seeing style unfold on screen. Today I’m revisiting To Catch A Thief and that impossibly well-dressed man, Cary Grant in his role as John Robie […]
During the making of La Chinoise, Jean-Luc Godard – the renowned pioneer of the Nouvelle Vague – fell in love with actress Anne Wiazemsky and later married her. She was his muse and his wife for 12 years. Adapted from Anne’s own memoirs, One Year After, Le Redoutable is structured around Wiazemsky and Godard’s marriage, but set largely […]