He Wore Black
Henry Fonda gone bad, one of cinema’s most memorable endings with two of the greatest outlaws on screen fading into…
Recent Posts
La Gomera: In Conversation with Costume Designer Dana Paparuz
On a little island in the Canaries with very rocky terrain that in times past made communication very difficult in…
Women and Men Share Friendships, Professions, Safari Style, and About Every Frame in Howard Hawks’ Hatari!
What drew me to Howard Hawks’ safari film, Hatari!, in the first place was something I had read about one of…
Channelling Juliette Binoche in Certified Copy
At first sight, Abbas Kiarostami’s Certified Copy (2010) is a linear story, a tale of two people who are trying to get…
The Enduring Allure of the West and of the Western Style
The great frontier always drew dreamers. I am not an American, but I am a dreamer. And I’ve always considered…
More Grunge Than Power Dressing: Kim Basinger in Nine ½ Weeks
Before the minimalism of the 2010s, there was the minimalism of the 1980s. The difference lies in the individualistic power…
La enfermedad del domingo – In conversation with Costume Designer Clara Bilbao
We first see Anabel walking the halls of her palatial home impeccably dressed for the evening and wearing towering heels….
Bradley Cooper’s rugged, real style in A Star Is Born
As he is spiraling down, she is blossoming. He is a seasoned, hard-drinking country-rock legend, she is a talented newcomer…
Time for Tweed: Julie Christie in Don’t Look Now
“Eschewing the normal rules of commercial entertainment, Roeg’s films deal in raw emotion, shaking our preconceptions about civilisation and cinema….
