Beyond Character: Michel Piccoli and Romy Schneider in Max et les ferrailleurs
A bleak, dark detective story that taps into noir, Claude Sautet’s Max et les ferrailleurs (1971) is more than a…
Recent Posts
A New Kind of Rebel
Rebel Without a Cause (1955) was the film that gave the confused and alienated teenager an identity. But before James…
Renaissance Woman and Dance Hall Days in the Alienated City
Special Service agent Richard Chance (William Petersen) approaches both his job and his life with reckless abandon, throwing caution to…
François Truffaut’s Heroines: Part II
Catherine Deneuve (Marion Vergano) in La sirène du Mississippi, 1969 François Truffaut attributed part of the failure of La Sirène…
François Truffaut’s Heroines: Part I
Cinema is a woman’s art, François Truffaut used to say, and the great moments in cinema involve “the convergence of…
Dressing the Classes: La règle du jeu and Gosford Park
“I learned the rules of the game from The Rules of the Game,” said Robert Altman about Gosford Park (2001),…
Film Noir Style: Peggy Cummins in Gun Crazy
As the clocks turn back and the weather turns cold, I turn back to my favourite genre, film noir, transforming…
He Wore Black
Henry Fonda gone bad, one of cinema’s most memorable endings with two of the greatest outlaws on screen fading into…
La Gomera: In Conversation with Costume Designer Dana Paparuz
On a little island in the Canaries with very rocky terrain that in times past made communication very difficult in…
