Gloria Grahame’s best film noir performances: Part I
One of film noir’s defining actors, Gloria Grahame gave her femme fatale characters a raw, vulnerable sensuality. She was not…
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Natasha Richardson in The Comfort of Strangers: A journey into the Armani style of the 1990s
In 1980, Paul Schrader’s American Gigolo launched Giorgio Armani’s career. The designer went on to revolutionize fashion, and menswear and…
Unlikely style inspiration: Jaws
A blockbuster in the 1970s meant an entirely different thing than it means today. Steven Spielberg’s Jaws (1975) is, plain…
The show-stealing style of Brigitte Lin in Chungking Express
At once hyper-kinetic and hazily romantic, Chungking Express is the quintessential film about loneliness in the postmodern metropolis. Set in…
Cary Grant’s impeccable style in To Catch a Thief
I watch Alfred Hitchcock’s films time and time again. For the thrills, for the visual flair and distinct atmosphere, for…
His and Hers: the iconic trench coat in Kramer vs Kramer
The trench is the opposite of a statement piece. It’s equally embraced by men and women, molding itself to the wearer….
How Jean-Pierre Melville reinvented the American noir
“When an author becomes an adjective, it means that he’s entered a higher category. We say ‘Melvillian’ in the same…
How Givenchy and Hepburn created a style legacy together
“His design, his thought centered and focused on her [Audrey’s] physical being. It’s like a great composer when he writes…
How Diane Keaton carved out a new kind of style icon in Annie Hall
Annie Hall (Diane Keaton) has just met Alvy Singer (Woody Allen) for a double match at a tennis club in…
