La enfermedad del domingo – In conversation with Costume Designer Clara Bilbao
We first see Anabel walking the halls of her palatial home impeccably dressed for the evening and wearing towering heels….
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Bradley Cooper’s rugged, real style in A Star Is Born
As he is spiraling down, she is blossoming. He is a seasoned, hard-drinking country-rock legend, she is a talented newcomer…
Time for Tweed: Julie Christie in Don’t Look Now
“Eschewing the normal rules of commercial entertainment, Roeg’s films deal in raw emotion, shaking our preconceptions about civilisation and cinema….
Gloria Grahame’s best film noir performances: Part II
Human Desire (1954), directed by Fritz Lang “It seems that Jean Renoir and Fritz Lang had in common a taste…
Gloria Grahame’s best film noir performances: Part I
One of film noir’s defining actors, Gloria Grahame gave her femme fatale characters a raw, vulnerable sensuality. She was not…
Natasha Richardson in The Comfort of Strangers: A journey into the Armani style of the 1990s
In 1980, Paul Schrader’s American Gigolo launched Giorgio Armani’s career. The designer went on to revolutionize fashion, and menswear and…
Unlikely style inspiration: Jaws
A blockbuster in the 1970s meant an entirely different thing than it means today. Steven Spielberg’s Jaws (1975) is, plain…
The show-stealing style of Brigitte Lin in Chungking Express
At once hyper-kinetic and hazily romantic, Chungking Express is the quintessential film about loneliness in the postmodern metropolis. Set in…
Cary Grant’s impeccable style in To Catch a Thief
I watch Alfred Hitchcock’s films time and time again. For the thrills, for the visual flair and distinct atmosphere, for…
