The Big Picture Magazine
René Clément was the first to adapt Patricia Highsmith’s book The Talented Mr. Ripley for the big screen. And he made it his own. Titled Plein soleil (1960), his gripping thriller – which focuses on the cruel, but cool Tom Ripley (Alain Delon), who ingeniously and skillfully finds ways to further his finances and lifestyle […]
An adaptation of a short story by Ernest Hemingway, Robert Siodmak’s The Killers (1946), is a tour de force of the noir genre, one that covers a wide range of noir themes and noir locations, a story with a cruel and twisted plot, in which a young but broken-down prize-fighter takes a perilous path to […]
In Eyes of Laura Mars (1978), Faye Dunaway is a fashion photographer with a penchant for sensationalism and stylised violence in her imagery. But between the luridness of the fashion and the precision of her photography, there is something indistinct, unknown and unexpected that takes her to the edge. Director Irvin Kershner plunges viewers into […]
Before the minimalism of the 2010s, there was the minimalism of the 1980s. The difference lies in the individualistic power of the 1980s, and in the individual identity. Today, everybody seems to “dress alike, look alike, talk alike and behave alike”, fashion photographer Michael Doster said in his book, Doster: 80s/90s. Back then, everybody sought […]
Her outfits are mannish; her words are enunciated with cold, distant, crisp precision; her presence is uptight and cautious; her sculpted face never crumples. Some have criticized Lindsay Crouse’s performance in House of Games as robotic, a total absence of appeal, even unsettling. I beg to differ. Why are female characters always expected to be read for […]
It was not until I saw Penélope Cruz in Volver that I fully understood why she is Pedro Almódovar’s muse. Her ability to convey a lot of depth with remarkable ease makes her a pleasure to see on screen. It took one great director to discover her real talent: “Pedro would push me to the limit. He […]
I’ve been on a Wes Anderson marathon lately, revisiting almost everything I’d already seen and finally watching the rest. However, the idea for this article came to me when I saw the illustration below, made by Wes’ brother, Eric Chase Anderson, in the book The Wes Anderson Collection. For anyone interested in fashion and film, a […]
That’s Ryan Gosling at the wheel. After all the singing and dancing in La La Land, here is a little reminder that he can do tough, too (but then again, he can take on any role). Gosling is the Driver in Drive, Nicolas Winding Refn’s 2011 American debut. With uncanny skill, in league with cinematographer Newton Thomas […]
“Here’s to the fools who dream.” No wonder I love this film. And I don’t even like musicals. But here I am talking about La La Land voraciously every chance I get. To be honest, it took me a while to get acclimatised to the opening sequence, but as soon as that was over, I was completely […]