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A family with a dinner table: Hirokazu Kore-Eda’s Still Walking

Hirokazu Kore-Eda’s Still Walking (Aruitemi aruitemo, 2008) starts with two women preparing a meal, the older woman giving advice to the younger one. This first long sequence sets the tone of the film and signals the filmmaker’s emphasis on everyday life, which is supported by the narrative and by other aesthetic means. Depicting twenty-four hours […]