Continuing In our new article series, in which writers select and discuss great director debuts to explore the possible origins of recurring themes or stylistic approaches, that often help to define the uniqueness of these one-of-a-kind filmmakers.
To Mifune Rikiya 11 June 2021, 6.30 p.m. – the opening of a small retrospective of ten films dedicated to the great Japanese actor Toshiro Mifune at the Japanese Cultural Institute in Cologne, Germany. It may not look like a big event, but for me it is the culmination of a long and highly emotional […]
The recent discovery of Bandits vs. Samurai Squadron (Kumokiri Nizaemon, 1978), a film that I had never seen before, has added a new work to my stock of movies for my research on Japanese film in general and on Gosha’s oeuvre in particular. Not as well known as Goyokin (1969) or Hitokiri (1969), Bandits vs. […]
A beach at the seaside is the main location in Masahiro Kobayashi’s Lear on the Shore (Umibe no Ria, 2017) and the key setting for a number of dramatic encounters. The former actor Chokitsu Kuwabatake (Tatsuya Nakadai), dressed in pyjamas and a long woollen coat and pulling a suitcase behind him, walks along the beach […]
During this time of global uncertainty and self-isolation, some of our frequent contributors share their top five “comfort movies” that help them get through troubling times. Peruse our list, revisit an old favorite, and perhaps even discover a new movie that may provide some solace. Share your favorite comfort movies with us @BigPicFilmMag. Gabriel Solomons […]
When I was informed about this month’s “double feature” topic, I spontaneously decided to write about Akira Kurosawa’s Seven Samurai (Shichinin no samurai, 1954) and Takashi Miike’s 13 Assassins (Jusan-nin no shikaku, 2010). On rethinking the matter, I quickly became discouraged. Is it possible to deal in one short article with a masterpiece such as […]
When I began working on Akira Kurosawa, the pivotal role for his cinema of Toshiro Mifune (b. 1 April 1920 d. 24 December 1997) sprang immediately to mind. I could not help thinking how much Mifune’s presence and vitality contributed to the strong sense of movement in Kurosawa’s films. Mifune’s intense acting already fascinated the […]