Features Four Frames

A family with a dinner table: Hirokazu Kore-Eda’s Still Walking

Hirokazu Kore-Eda’s Still Walking (Aruitemi aruitemo, 2008) starts with two women preparing a meal, the older woman giving advice to the younger one. This first long sequence sets the tone of the film and signals the filmmaker’s emphasis on everyday life, which is supported by the narrative and by other aesthetic means. Depicting twenty-four hours […]

Features Thousand Words

Watch: the surprising parallels between Wes Anderson and Yasujirō Ozu

Video essayist Anna Catley explores the cinematic worlds of these two great filmmakers.

Features Lost Classics

One Sheet: Ozu’s Families

Family has always been the preferred subject of Yasujirô Ozu; the subtle daily dynamics of the typical Japanese home, and the small moments of drama that may be glimpsed as a fly on the wall. Or perhaps, more accurately, as a fly hovering three feet from the floor: where Ozu’s static camera was always placed, emphasising the […]