The Big Picture Magazine
“It’s terribly beautiful here,” the priest tells a local woman, describing the landscape of his remote outpost. She agrees, but with an important caveat: “Yes, it’s terrible. And beautiful.” This conversation occurs late in Hlynur Pálmason’s remarkable Godland (2022) and encapsulates the writer-director’s cinematic worldview, one in which horror and grace coexist in unforgiving natural […]
Unwittingly foreshadowing the fate of its four displaced protagonists, William Friedkin’s existential follow-up to The Exorcist was doomed the moment a certain lightsaber-rattling space opera arrived in cinemas from a galaxy far, far away. Sorcerer (1977) has been cited by some as the beginning of the end for the New Hollywood movement. However, a giant […]
When film conversation turns to the greatest filmmaker/actor partnerships common touchstones are Scorsese and De Niro (latterly DiCaprio), Ford and Wayne, Kurosawa and Mifune, Leone and Eastwood, Fellini and Mastroianni or Bergman and Ullmann. Casting a shadow on the conversation is the work of director Werner Herzog and actor Klaus Kinski. Their partnership, in this […]