Feature Four Frames

Four Frames: The Longest Yard (1974)

There’s something very 1960s and ‘70s about split screen. Brian De Palma loves it, but it’s been criminally underused of late. When it works well, the audience sees and knows much more. Ideas, by their very nature, are multi-faceted. Robert Aldrich’s American football drama The Longest Yard splits the screen, and splits opinion. Macho bullshit, […]