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Features Widescreen

Self-Isolation Soundtrack: The Music of Seven Samurai

Seven Samurai (Shichinin no samurai, 1954) is one of those rich and complex films that one never tires of watching over and over again. Much has been written about Akira Kurosawa’s masterpiece, but the emphasis has rarely been on music. This article is my very humble attempt to have a closer look at Fumio Hayasaka’s […]

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Features Four Frames Uncategorized

What remains of the Samurai? – Seven Samurai and 13 Assassins

When I was informed about this month’s “double feature” topic, I spontaneously decided to write about Akira Kurosawa’s Seven Samurai (Shichinin no samurai, 1954) and Takashi Miike’s 13 Assassins (Jusan-nin no shikaku, 2010). On rethinking the matter, I quickly became discouraged. Is it possible to deal in one short article with a masterpiece such as […]

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Features Thousand Words

Toshiro Mifune – Intense acting and inventive spirit

When I began working on Akira Kurosawa, the pivotal role for his cinema of Toshiro Mifune (b. 1 April 1920 d. 24 December 1997) sprang immediately to mind. I could not help thinking how much Mifune’s presence and vitality contributed to the strong sense of movement in Kurosawa’s films. Mifune’s intense acting already fascinated the […]

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Features Four Frames

Four Frames: Red Lion (Kihashi Okamoto, 1969)

Red Lion (Akage), co-produced by Toho and Mifune Productions, is one of eight films Kihashi Okamoto made with Toshirō Mifune. The action takes place in the 1860s when the feudal system of the Tokugawa Shogunate was on the brink of collapse, and follows Gonzo, a peasant sent back to his native village with the mission […]