Categories
Features Four Frames

Rebirth and reconciliation in Kon Ichikawa’s The Burmese Harp

After the capitulation of the Empire of Japan on 15 August 1945, Private Mizushima (Shoji Yasui) does not join the rest of his former unit in a British prisoner-of-war-camp in the Burmese countryside but becomes a Buddhist monk. The story of the young soldier who decides to stay in Burma after the war in order […]