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Screengem: The Human Mask in Persona (Ingmar Bergman, 1966)

As dense and uncategorisable as Ingmar Bergman’s Persona (1966) is, the filmmaker’s career-spanning fascination with the human face remains abundantly clear. In one of his most startling images, he combines his female lead’s facial features to demonstrate how one’s identity cannot exist in total isolation but is always influenced and moulded by others. Elisabet Vogler […]