Feature Four Frames

Sociopolitical reality as horror: Joon-ho Bong’s The Host

The Host (Gwoemul, South Korea, 2006) starts with gloomy images in a morgue at an American military base in South Korea. Evil is predicted when a pathologist orders his assistant to dump a large amount of formaldehyde in a drain at the base. A few years later, a monstrous creature emerges from the River Han […]