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Four Frames: Deliverance (John Boorman, 1972)

James Dickey’s novel opens with a map being unrolled. Disconcerting – “curling and snapping back whenever one of us turned it loose” – then, revealing – “All this in here will be blue … this whole valley will be under water.” John (Point Blank) Boorman’s movie version unveils the river itself through a curtain of […]