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Four Frames: Intrinsic weighting in Stoker (Chan-wook Park 2013)

StokerĀ is a film replete with significance and meaning imposed on the positioning of its characters within the frame. A scene on a winding staircase at around 12 minutes neatly captures the moment when a crucial shift in power between India (Mia Wasikowska) and Uncle Charlie (Matthew Goode) occurs. Louis Giannetti, in his hardy perennial film […]