The escape motif in Clint Eastwood’s Unforgiven

Clint Eastwood’s Unforgiven (1992), set in 1881, is a complex film about violence in American history and, by extension, in present-day America. It also presents multifaceted reflections on human nature and the construction of legends. William Munny (Eastwood), a former gunfighter and notorious killer, is now a pig farmer in Kansas. In the opening credits […]

Feature Four Frames

Four Frames: The Royal Tenenbaums (Wes Anderson, 2001)

Criticisms of Wes Anderson’s filmmaking often centre on a lack of warmth and humanity, as if his style is a façade and that emotional content is something that is neglected or ignored, willfully or otherwise. But this doesn’t ring true; in this, his third film, the story reaches an emotional crescendo that the design, cinematography […]