In a new article series, writers select and discuss great director debuts to explore the possible origins of recurring themes or stylistic approaches that often help to define the uniqueness of these one-of-a-kind filmmakers.
To Mifune Rikiya 11 June 2021, 6.30 p.m. – the opening of a small retrospective of ten films dedicated to the great Japanese actor Toshiro Mifune at the Japanese Cultural Institute in Cologne, Germany. It may not look like a big event, but for me it is the culmination of a long and highly emotional […]
Seven Samurai (Shichinin no samurai, 1954) is one of those rich and complex films that one never tires of watching over and over again. Much has been written about Akira Kurosawa’s masterpiece, but the emphasis has rarely been on music. This article is my very humble attempt to have a closer look at Fumio Hayasaka’s […]
Kobayashi’s vitriolic portrayal of a society dominated by crime and corruption.
In the long opening sequence of Akira Kurosawa’s The Quiet Duel (Shizukanaru kettō), which takes place in 1944 in one of the Southeast Asian countries occupied by the Japanese, a man in a white coat is talking to another man who, dozing, leans against the wall behind them. The second man, his face hidden behind […]