Feature Four Frames

Four Frames: Frankenstein (James Whale, 1931)

Whale’s Frankenstein wasn’t the first film to be based on Shelley’s cautionary gothic fable – J. Serle Dawley’s short film of the same name, one of three from the silent era, predated it by 20 years – but it and its sequel The Bride of Frankenstein (1935) invented a powerful visual archetype to complement the robust […]