Feature Four Frames

Youth in crisis: Akihiko Shiota’s Harmful Insect

White feathers falling from the ceiling like snowflakes, the camera revealing a heap of them on the furniture and, after a lateral movement, a woman who starts cutting her wrist with a small knife – this is the opening sequence of Harmful Insect (Gaichu, Japan, 2002). Filmed in total silence, the sequence combines lyricism and […]