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Coming of Age, or, the Inversion of Expectations in The Last Picture Show

Life is not a stroll across a field – Boris Pasternak Peter Bogdanovich’s The Last Picture Show (1971) reveals, in a poignant and compassionate tenor, the evolution of youthful expectations as they are molded, corrupted, and realigned by the passage of time. When youthful ambitions are seen through the prism of adulthood they refract strange […]