The Big Picture Magazine
Seijun Suzuki’s Yumeji (Japan, 1991) is the concluding part of his “Taisho Trilogy”, the two other films being Zigeunerweisen (Tsigoineruwaizen, 1980) and Kagero-za (1981). All three are set in the Taisho era (1912-1926), a period in Japanese history marked by attempts to achieve more democracy – both political and cultural. The protagonists in Zigeunerweisen are […]
At the age of 26, the Japanese actor and model Yusuke Iseya made his directorial debut: Kakuto (2002), produced by Hirokazu Kore-Eda, in whose films After Life (Wandafaru raifu, 1998) and Distance (2001) Iseya had previously been cast. He stars in Kakuto, and he also wrote the script together with Takamasa Kameishi. The title “kakuto” […]
The anime film Tokyo Godfathers (Tokyo Goddofazazu, Japan, 2003) starts with children performing the nativity scene on Christmas eve and singing “Silent Night”. It is only after these comforting and delightful first shots that the whole setting is revealed – the interior of a church crowded with shabbily dressed men and women. The dark colours […]
On 25 November 1970, the Japanese writer Yukio Mishima (1925-1970) committed seppuku (ritual suicide by disembowelment; in the Western world better known as hara-kiri) after a failed coup d’état. Together with four young members of the Tatenokai (Shield Society), the private militia he had founded in 1968, Mishima had entered and occupied the headquarters of […]
Nobuo Nakagawa’s Jigoku (Japan, 1960) starts with shots of a coffin in a crematorium and of flames filling the whole screen while horrifying screams are heard from the off. The title in blood-red kanji is followed by the credits next to images of half-naked women in lascivious poses accompanied by a melodious jazz tune. This […]
White feathers falling from the ceiling like snowflakes, the camera revealing a heap of them on the furniture and, after a lateral movement, a woman who starts cutting her wrist with a small knife – this is the opening sequence of Harmful Insect (Gaichu, Japan, 2002). Filmed in total silence, the sequence combines lyricism and […]
In Keisuke Kinoshita’s Wedding Ring (Konyaku yubiwa, Japan, 1950), Noriko Kuki (Kinuyo Tanaka) finds herself on the threshold of adultery when she falls in love with the young medical intern Ema (Toshiro Mifune), who has been assigned to her husband Michio (Jukichi Uno), suffering from tuberculosis. The first encounter between Noriko and Ema takes place […]
Right from his directorial debut Sanshiro Sugata (Sugata Sanshiro, 1943), climate phenomena played an essential role in the films of Akira Kurosawa. In Sanshiro Sugata, for example, it is the wind blowing through the pampas grass, reinforcing the tension in the climactic fight scene between Sanshiro and his rival Higaki. In Kurosawa’s films, human drama […]
Let me flow into the oceanLet me get back to the seaLet me be stormy and let me be calmLet the tide in, and set me free … – Pete Townshend, “Drowned,” from The Who’s Quadrophenia (1973) The conflict at the heart of The Warriors (1979) isn’t as simple or straightforward as Mods versus Rockers. […]
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