The Big Picture MagazineCallum Reid is an experienced film and music writer, and an award-winning production journalist. Cult, Horror, Classic Hollywood. Rush, Tool, Converge. And the occasional power ballad. Read him at bigpicturemagazine.com, ghostcultmag.com, originalrock.net, metal-temple.com and in Beneficial Shock!
David Mamet, the great American man of letters, once said: “The genius of Jaws is the ability to terrify us with a shot of empty ocean.” When those yellow barrels pop up, it only adds to the terror, ratchets it up, taking us beyond “simple” storytelling towards multi-faceted layers of myth and mystery, beyond: “What lies beneath?” […]
Spaghetti Western master Sergio Leone, and his maestro, Ennio Morricone, would employ individual, idiosyncratic musical motifs – quirky themes, linked or not to the movie’s main theme, sometimes little more than recurring sound effects, often played on particular or significant instruments – to help announce a character’s entrance, accompany or comment on his activities and […]
BONES: Any of the pieces of hard whitish tissue making up the skeleton in humans and other vertebrates. AND: Conjunction, used to connect words of the same part of speech, clauses, or sentences, that are to be taken jointly. ALL: Everything – everything under the sun, and, indeed, above and/or beyond the sun, including your […]
I believe in reading as a creative experience. The Reader comes to the work with their intellect, imagination, expectations, wants and needs, and sets out, consciously or not, to forge their very own “version” of the original text, however sacred. And that “version” will be different from yours, mine or anyone else’s. As with The […]
A scene in Michael Cimino’s epic Western, Heaven’s Gate (1980), always reminds me of the terrorist attacks of 9/11 – the fall of the Twin Towers, man’s almost primitive need for contact in a time of extremis (extremis most of us could never imagine), his endless fight for survival. Much has already been said and […]
Let me flow into the oceanLet me get back to the seaLet me be stormy and let me be calmLet the tide in, and set me free … – Pete Townshend, “Drowned,” from The Who’s Quadrophenia (1973) The conflict at the heart of The Warriors (1979) isn’t as simple or straightforward as Mods versus Rockers. […]
“Lost” masterpieces can be catnip for serious movie buffs and collectors. Now you can properly worship at the feet of kung fu action spectacular The Shaolin Plot (1977, directed by Huang Feng), a seldom-seen Hong Kong picture from the Golden Harvest production company. Celebrated martial arts actor, stuntman and filmmaker Sammo Hung worked with director […]
The Batman (2022) has received something of a mixed reception from critics and film fans, but I’d like to go on record to say it deserves at least Se7en out of zen. It’s reminiscent of the look and feel and general modus operandi of David Fincher’s 1995 serial killer opus – if not quite Zodiac […]
In a new article series, writers select and discuss great director debuts to explore the possible origins of recurring themes or stylistic approaches that often help to define the uniqueness of these one-of-a-kind filmmakers.