The Big Picture MagazineAda writes the blog Classiq, where she funnels her lifelong passion for cinema and her interest in fashion in film, of which she is a fervent proponent as one of cinema's most far-reaching influences. She is an optimistic by nature, but she hates forced happy endings. Maybe that’s why film noir is her favourite genre. She regards it as a prime contributor to restoring the balance disrupted by the traditional notion of a Hollywoodian happy ending.
Catherine Deneuve graces this year’s poster for the Cannes Film Festival and in its honour, we are revisiting François Truffaut’s La Sirène du Mississippi (1969). It was the first time when François Truffaut depicted a genuine couple. “In Jules and Jim and in The Soft Skin, scenes involving two people are always presented with reference […]
Until the End of the World (1991) begins with a grim end-time scenario. A nuclear satellite threatens to crash through the ozone layer and wipe out the world’s communications system. It is said to be circling above like a bird of prey. Watching the film now, in 2023, it’s daunting to realise that the unrestrained […]
The sprightliness of the reimagined story of Little Red Riding Hood. A dark, atmospheric cautionary tale set in the slumps of Louisiana on the jazzy score of Adrien Chevalier. A little mouse who lives among books and their extraordinary adventures and who, when the candle burns out and he runs out of matches, must take […]
An adaptation of a short story by Ernest Hemingway, Robert Siodmak’s The Killers (1946), is a tour de force of the noir genre, one that covers a wide range of noir themes and noir locations, a story with a cruel and twisted plot, in which a young but broken-down prize-fighter takes a perilous path to […]
Wes Anderson’s films dispose of a rich scale of forms of expression and an astounding artistic freedom. He is the kind of director who has a true, artistic visual vision and he needs hand-picked, incredibly talented production designers who can speak the same language and bring his vision to life. This is creative filmmaking and […]
East Germany, 1980. Barbara is a doctor who works in a hospital in a small provincial town. This is her punishment for attempting to emigrate to the West. She used to work in the biggest hospital in Berlin. Now she is kept under constant surveillance, secluded in the country, with nobody to trust. She does […]
There are few things I appreciate about a film more than its sense of place. That’s what Peter Weir achieved in The Year of Living Dangerously (1982). The mood and the recreation of the Indonesian locale are so extraordinary (he used Manila and the Philippines as a stand-in for Djakarta and Indonesia) that they give […]
The Bitter Tears of Petra von Kant (1972) is at its 50th anniversary this year and it deserves to be celebrated. It’s one of the films that made me aware of the creative process that is filmmaking, one of the films that made me love cinema. It remains my favourite Rainer Werner Fassbinder film. Seductive […]
Is Katharine Hepburn playing herself in Bringing Up Baby (1938)? And if so, why not? Katharine Hepburn turned Hollywood on its head. She fearlessly and uncompromisingly set out to become a star in an industry that wanted greatness on its own terms, an industry that often tried to destroy the original few. She wanted greatness […]
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